Large nude

Renoir's female nudes, a favourite motif throughout his career, were more often painted in outdoor light than inside a room. In the s, Gustave Geffroy described his models as "instinctive little beings, at once children and women". Later, his work became more ample, tracing its descent from Rubens and Titian. For this almost buxom nude, Renoir gave up touches of bright colours and restricted his palette to a harmonious range of more subtle tones. The body bathed in a gentle, warm light is lying on soft cushions like a jewel in a casket.
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Large Seated Nude and Modigliani’s Shocking, Sensual Portraits

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Large Nude on a Red Armchair | Museo Picasso Málaga

Although his work was not well received during his lifetime, he has since been praised for his nude paintings , characterized by the elongated bodies and faces of his subjects, and their unabashed portrayal of female sensuality. Singulart will be focusing on one of the most celebrated artworks of the series, Large Seated Nude. Born in Italy in , Modigliani entered the world in a dramatic fashion, foreshadowing the way he lived his life. The family quickly piled their most valuable possessions onto the bed where she lay, knowing that by law the bailiffs could not touch the bed of a pregnant woman. Modigliani showed a precocious talent from a young age.
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Large Nude

In this work, we are once again presented with the motif of a model sitting in an armchair. It is a theme that Picasso would frequently return to at the start of the s, and in which Olga would serve as his model. However, this painting offers an expressiveness that is clearly a departure from the amiable images of the past.
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He had moved away from his early Fauvist style of painting which incorporated the use of bright, expressive colour and was beginning to use more geometric shapes like Cezanne. Braque was inspired to create this large female nude after seeing Picasso's painting of "Les Demoiselles d'Avignon" at Picasso's studio. Braque's Large Nude was quite a departure from the usual artistic styles and depiction of women. Without using clear lines, Braque had formed his female nude from geometric shapes and used colour to create the illusion of volume, lines, mass and weight. His nude appears reclined and twisted to the side, lying upon a sheet or towel.
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